These images are of studies done at Red Beach, Vieques in recent days. The idea has been to convey an impression of the scene quickly. I'm still using previously used panels that have been coated with white gesso. I'm loving the rough surface this provides, although I'm noticing that the photos of these paintings don't quite capture the lusciousness of the thick paint I'm using. I've been returning to more or less the same place to paint -- it's easy to get to and there's shade. Plus, it's one of the best swimming beaches.
Roo is leaving the island tomorrow for chilly Michigan and I'll be exploring a more committed art routine for the next several months. I'm anticipating a continuation of the morning paint session followed by some writing and siesta time midday with an optional afternoon session. Distraction is, of course, the great challenge and while it's wonderful to have a wi-fi connection this year, it's always tempting to surf the Net rather than painting the surf. We'll see how it goes.
I've no plans to show my work on Vieques this season except for Open Studios I'll hold at the end of January, February and March (and maybe April). In part this is to give myself the freedom to develop the work in directions that might not be so immediately sellable. (I found myself wondering this morning if "people" would like my newer work less than the style for which I've become known in the past several years.) I'm sure many artists hesitate to grow for fear of their work becoming less appreciated. I know my struggle is to value the work for its own sake, for my process in creating it, and not for what others think of it or will pay for it. Great story in the NY Times about a 94 year old woman who finally "made it" after 60 years of working at her painting. Much for me to learn in this department!